return Home

Video strategies for a visual world - with AJ+ and AwesomenessTV

Unsurprisingly, a hot topic for many of the speakers at this year’s Digital Innovators’ Summit is audience engagement via video. On day one of the conference, Alan Saura, audience development strategist at AJ+, focused his talk on how to maximise audience engagement using video and social media. Meanwhile, chief digital officer at AwesomenessTV, Kelly Day, explained how the company harnesses the unique attributes of Generation-Z (those aged between two and 21 at present) to create content that really speaks to this young but powerful audience.

Achieving super-fast growth

Both AJ+ and AwesomenessTV take a multi-platform approach to their content, creating tailored content according to the benefits and limits of each platform, and this has led to explosive growth.

As Alan told his audience at DIS 2017, AJ+ videos have been watched more than 10 billion times in the two years since its launch. It also won a host of awards in 2016, including two Webby Awards for Best News Channel and Best News Series, a Shorty Award for Best Facebook Presence and the Online News Association award for General Excellence in Journalism. 

Alan Saura ()

The strategy at AJ+ focuses on innovation, an audience-first approach, analytics, and multi-platform usage.


“The spirit of innovation is deeply embedded in our culture,” Alan explained. Back when AJ+ was being created, the innovation team at Al Jazeera was tasked with answering the question: what is the future of news? Realising that people weren’t watching the news at 7pm any more, but were getting it live from social streams, they decided that AJ+ needed to meet users where they already were: on their social networks. 

Therefore, AJ+ has no website (other than a basic landing page which points users towards its social media channels). Its content “lives on social networks and is optimised for that”, said Alan.

Furthermore, AJ+ takes inspiration where other publishers might shy away. “A lot of publishers complain about new features - for example, Facebook Live - but we see it as an opportunity,” Alan explained. “We experiment with as many formats as we can and learn from that.”

“We had an ‘audience’ before we had an audience”: an audience-first approach

There are some basic questions which AJ+ asks when creating videos - questions about audience demographics, lifestyles, interests, platforms used, location, and time they are most likely to be online. Who is the intended audience, and how can they be tempted to share what they see?

“We had an ‘audience’ before we had an audience,” said Alan, elaborating that even without an audience, at the beginning of the process of building AJ+, the team made sure they knew who we were aiming at. “We try to use our FB page the way an individual would use it - and we take pitches, listen to our audience, and work with them.” 

Alan emphasised that it is vitally important at AJ+ to optimise content for shares. There are many reasons as to why someone might share a video: because it’s informative, because it speaks to their identity, because they like the tone, or because of its emotional appeal? What is the shareable message? “I advise video producers to come up with a description and headline before they begin making the video, so they know exactly where they’re going,” added Alan.


At AJ+, analytics play an important role in their structured approach. By constantly looking at analytics, and by meeting with editorial teams on a daily basis, the staff create a feedback loop to improve and inform editorial content - allowing them to decide which formats and topics are working best.

They make liberal use of graphs to see what is and isn’t working (eg. drop-offs throughout video demonstrate less engagement - did viewers get bored at certain points? or spikes in interest - were people searching for a particular point in the video?).

A multi-platform approach

Because AJ+ has no website, it follows where social platforms lead, and evolves as those platforms evolve. Being optimised for YouTube, Facebook, Twitter and more, content is tailored for each platform depending on its strengths and weaknesses.

Twitter is best for:

● Breaking news

● Quick video 

● Chronological feeds 

● GIFs

● Visibility for AJ+ through RTs. 

Facebook is best for:

● Mobile-first content that works with the sound off - eg. with subtitles

● Concise and shareable content

● Native content - outside links are bad for the algorithm, so it’s best to lead a post with the most important information which describes the content in one single sentence or phrase.

YouTube is best for:

● Just video - average length 4min 20sec long

● Audio - audience can “take a backseat”

● Functioning as a search engine

● Evergreen content - much better than breaking news.

During the questions, Alan described a staff team made up of 60-70 people based in San Francisco, with an average age of about 32. He also said that AJ+ is currently focused on creating great content, and it will start to look into monetisation options soon as part of the wider Al Jazeera network.

AwesomenessTV: building for a global audience

Later on day one, Kelly Day took to the main stage to talk about how AwesomenessTV manages to be one of the fastest-growing media brands in the world. Like AJ+, video is of paramount importance.

Kelly Day ()

She began by outlining the differences between the generations, and the centrality of this to AwesomenessTV’s strategy:

● Baby-boomers: 53-71 years old

● Gen-X: 38-52 years old - the generation after baby-boomers

● Millennials: 22-37 years old

● Gen-Z: ages 2-21 - born after 1995.

She highlighted some of the features of Gen-Z which makes them the target audience. 


● Are often multitasking across five different screens

● Prefer streaming over broadcast/television

● Spend seven hours per day on screen

● Think of tech as a tool not an obsession - part of their everyday life, like electricity. Perceive parents as being more addicted to phones than they are 

● 27 per cent post original videos weekly eg. Snapchat 

● Celebrate each other’s differences - more tolerant and open

● Over 90 per cent believe they’ll be more successful than their parents

● Want to connect and associate with brands - they can tell when a brand is being inauthentic. The brand is more important than the product

● Love to shop in physical stores, especially if there’s a digital and physical version 

● Have a total of US$40bn in spending power.

All of this means that Gen-Z are the most influential audience, so AwesomenessTV has built the entire company around them.

“We’re experts on Gen-Z”

“We’re the only studio which produces hundreds of hours per year just for this audience,” said Kelly. 

At AwesomenessTV, they also harness the power of digital stars by casting Gen-Z’s favourite talent to ensure that their videos have the status of “must-see”. Digital stars have fans all over the world - not just in the USA, as Kelly reminded the audience at DIS. 

Furthermore, AwesomenessTV has expanded into making its own films and longform video, which contributes to the company’s incredible record by traditional TV standards, said Kelly. Before I Fall previewed at the Sundance Film Festival this year to excellent reviews, and films or series such as T@gged and The Commute have generated hundreds of millions of views by casting international digital influencers in globally appealing stories. “This uniquely speaks to the Gen-Z audience,” Kelly explained. 

Finally, like Alan from AJ+, Kelly ended her talk with the strong message that AwesomenessTV is focused every day on engaging with new platforms and a commitment to innovation. “This, we believe, will drive long-term value,” she said. 

More like this

John Wilpers showcases top trends included in new FIPP Innovation World Report

Voice is the next major disruption in computing - Amazon exec

Media and marketing in a connected world

How VCs invest: Lakestar and Carmel Ventures at DIS 2017

Audience engagement: why a platform-appropriate content strategy is crucial

Millennials and mobile prodigies: lessons on ad engagement, with Verve’s Ian James

  • Millennials no more: The Week Junior and AwesomenessTV on engaging younger audiences While the industry continues its pursuit of ‘millennials’, the generation of media consumers coming up behind them is still to a large extent being overlooked. Here, Kerin O’Connor from The Week Junior, and Kelly Day from AwesomenessTV, give us their take on how publishers can better understand even younger audiences.  28th Jun 2017 MagWorld
  • Building superior brand experiences through a multi-channel approach Deepak Lamba, CEO of Worldwide Media (WWM) in India, explains how the business is embracing multi-platform media campaigns to boost the reach and impact of its brands – with exceptional results – and says WWM has its eyes set firmly on becoming India’s leading entertainment and lifestyle content creators for every available platform. 26th Jun 2017 MagWorld
  • Building a subscription-driven business from the ground up Geoff Ramsey, co-founder and chief innovation officer of eMarketer started his working life as a magician. Here he explains how eMarketer found its magic formula – how a traditional ad house was transformed into the research and data giant we know today, the tricks it deployed to survive some turbulent times, and how the business plans to continue coming up trumps in the future… 26th Jun 2017 MagWorld
  • Four industry experts share insights on innovating live events Live events are a rapidly growing revenue source for publishers, but as the field becomes ever more competitive event organisers need to be nimble, creative and innovative to remain on top of the game. Here, we combine the insights of four leading industry experts on developments within the sector. 25th Jun 2017 MagWorld
  • How Aller Media Finland unlocked the value of data-for-profit In less than three years, Aller Media Finland has become the leading company in Finland to harvest consumer data as an income asset. Sami Lahtinen, director, data and digital solutions, and Sini Kervinen, head of business operations, data and digital solutions, explain how the establishment of the Aller Refinery data unit managed to place data at the heart of their business’s growth. 19th Jun 2017 MagWorld
  • How Marie Claire is embracing a more diverse range of voices Focusing on social and political issues, giving readers current events news in context may sound more like a news magazine than a Marie Claire, but women’s magazines have been producing this kind of content since creation, according to Kate Lewis, Hearst Digital Media’s SVP/editorial director in the US. There is good reason why it is now more noticeable... 21st Jun 2017 MagWorld
  • Nine steps to rapidly transform your legacy teams No amount of tinkering at reorganisation will work. Tinkering has failed. New business models and new editorial models require new thinking, new roles, new workflows, and new organisational structures, writes INNOVATION Media Consulting senior director John Wilpers. 19th Jun 2017 Insight News
  • Reuters Digital News Report 2017 highlights lessons for publishers across multiple markets Growth in social media for news discovery is flattening out, ad-blocking on desktop has stalled, brand recall on social is low, voice-activated digital assistants are emerging as news platforms in some countries and regions. If the Reuters Institute Digital News Report 2017 makes one thing clear, it is that the digital revolution is full of contradictions and exceptions, for the simple reason that countries and regions across the globe started this revolution at different times and places and aren’t progressing at the same pace. 22nd Jun 2017 Insight News
  • Four industry experts share insights on innovating live events Live events are a rapidly growing revenue source for publishers, but as the field becomes ever more competitive event organisers need to be nimble, creative and innovative to remain on top of the game. Here, we combine the insights of four leading industry experts on developments within the sector. 25th Jun 2017 MagWorld


Visit our Youtube channel



FIPP newsletters allow you to keep up with industry trends, research, training and events across the world



Get global coverage of your launches, company news and innovations

Go to Full Site