Quantcast
return Home

How TEN extends brands across platforms (and created one out of YouTube)

For The Enthusiast Network: TEN, brand extensions make a lot of sense. The special interest media company understands that using different platforms to reach different, highly passionate audiences is vital in the current media environment.

“We don’t regard ourselves as a magazine publishing company anymore, that’s not what we do,” according to Angus Mackenzie, TEN’s international bureau chief. “We have automotive media brands that connect with audiences, it’s not up to us how our audience chooses to interact with our brands. What our job is, is to give them the brand experience, [and ensure] it’s consistent with their expectations and what they believe are the values of the brand.” 

As audiences shift their attention, brands often follow. TEN’s Motor Trend and Roadkill, for example, have successfully diversified across platforms. “The development of the Motor Trend website, and the subsequent development of the Motor Trend YouTube channel, social media platforms, and the subscriber video on demand platform, were about us going where the audience seemed to be,” Mackenzie explains.  

RoadKill execs ()

Above: (left) Angus Mackenzie, international bureau chief; Jonathan Anastas, chief marketing officer

A brand born out of YouTube

Roadkill, for example, was a phenomenon that grew out of the Motor Trend YouTube channel. It didn’t develop in a traditional way, but then nothing about TEN’s brands appear traditional. 

***Meet Scott Dickey, CEO of TEN at the 41st FIPP World Congress, taking place from 9-11 October 2017 in London***

The Roadkill brand is based around hot rods, muscle card and vehicles from junkyards. It was born when a highly engaged and passionate audience developed through social media, which led to the development of a Roadkill website, and led to the launch of a quarterly print product. The brand now has such a passionate fan base that when they throw an event, 30,000 people show up. 

RoadKill mag ()

Photo: roadkill.com

Choosing which platforms to extend on

Mackenzie acknowledges audiences have different ways of engaging with the brand and coming into the Roadkill world. “We don’t expect every consumer to interact with every piece of content on every platform. We’re just putting the offer out there,” he says. 

Choosing which platforms to extend to is a difficult problem for anyone who is in the media business. Says MacKenzie, “we had to experiment”, trying at few different platforms.

“We’ve been on platforms such as Meerkat, and that didn’t work. Some platforms don’t suit. The problem with platforms is, which one is going to work? Which one is going to stick? Which one is the right one for your audience? There has to be a bit of experimentation.”

RoadKill website ()

Video is champion

For TEN, video is a good fit for their automotive brands. “It’s become hugely successful,” Mackenzie says. “And, now, we have a generation of consumers who whom video is their default format.”

Video is of course a popular development for many media brands right now. TEN’s chief marketing officer, Jonathan Anastas, sees it as a major shift in the media landscape. 

“If you look at the transformation of the media landscape, we used to live in a three-television-network-plus-CBS in the US,” he explains. The kind of viewership that used to exist for traditional ‘video’ - like the ratings for American Idol, season 1, which averaged 24.5 million - “you can’t aggregate that many eyeballs in traditional, linear video anymore.”  

Audiences have simply shifted to all sorts of digital platforms from Netflix to Amazon prime, to Youtube, to Facebook and SVOD (subscription video on demand) where they often fragment across multiple genres, interests and channels.

“We’re in a society that likes to kill time with brands and content that we care passionately about,” Anastas said. 

Extensions that remain consistent 

Each of the brand extensions TEN has for its Roadkill and Motor Trend brands complement each other in myriad ways. 

“We developed a process early on,” he explains. “As we started to see the need to develop content across more platforms... we started by looking at what the opportunity was, and then figured out what assets we could harvest out of that to put onto particular platforms. The process is completely agnostic, as to which direction it can go.”

With a growing need for content, came a growing need for staff. As MacKenzie puts it, “it’s about having enough fingers and toes to make it happen.”

“One of the things we’ve done with all of our original programming is groom our own stars because one of the things we learned with a platform like YouTube is that the audience demands credibility and authenticity,” MacKenzie says. “And if you don’t deliver that, then the audience just goes away.”

Media brands, whether they’re extended onto two platforms, or ten, need to adhere to the same values and tone. “You can’t split everything up,” MacKenzie explains. “You can’t allocate journalistic resources to a platform wholly, otherwise you end up with a completely different aesthetic or feel or spirit, from the core brand. Brand values have to be consistent.”

Think revenues

“To generate revenue these days, it’s about accessing and engaging an audience,” MacKenzie says, and “platforms give you the opportunities to create different formats of content” to engage.

To a large degree, Anastas says, media pricing is still based on a model of supply and demand. “There is an incredible amount of lower quality video content in the world, that is very hard to monetise. 

“With premium video, there’s actually a scarcity. As dollars move to non-traditional video, frankly, we’re often in sell-out situations against our better brands, where there’s more advertising demand then there is inventory to run ads against.”

However, “for a lot of brands and content creators, you don’t want 100 per cent to be reliant on advertisers,” he says. “We saw this engagement and a passionate fan base around our shows and we decided we wanted to take the content directly to the consumer. So, in 2016, we launched Motor Trend On-Demand in the States.”

Motor Trend On-Demand is an online video destination that allows subscribers to watch live motorsports and automotive programming, whenever they want. It is available in the US, Canada, Europe and the UK.

You can see the channel here.

***Get stories such as this in your inbox with our weekly FIPP World newsletter. Subscribe to FIPP World here. And join us at the 41st FIPP World Congress, 9-11 October in London, to hear from 75+ leading international speakers dissecting challenges and opportunities in building future media***

More like this

The future for Future: Transforming specialist content into profit

The continued power of special interest media – across all platforms

[Congress Q&A] Axel Springer's special interest magazines are booming in Germany

Digital media strategy: verticals, consolidation and the 'squeezed middle'

Only four months old, Gentner's new vertical pureplay powers towards initial targets

Go to Full Site